Jane Isabelle Forner, PhD
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(c) Cylla von Tiedemann
Opera Canada • 29th April 2025

Soundstreams | Garden of Vanished Pleasures | Opera Canada | Review

Article • 9th April 2025

Classical Music’s Conflicted Futures | Journal of the Royal Musical Association

Book Chapter • 9th April 2025

"Sex, Myth, and Power Reclaiming the “Dark Feminine” in Anthony Davis’s Lilith"

Book Review • 9th April 2025

Listening to Listening: A Conversation on Voice and Race | Royal Musical Association Research Chronicle

Opera Canada • 9th April 2025

Canadian Opera Company | Aportia Chryptych | Review

Opera Canada • 9th April 2025

Tapestry Opera | Jacqueline | Review

Book Chapter • 9th April 2025

‘Oh brave new Caliban’: Postcolonial Perspectives on Adès's The Tempest

Article • 9th April 2025

Colloquy: 7 Deaths of Maria Callas

Article • 9th April 2025

Boston Lyric Opera/Opera Philadelphia | Svadba | Review

Book Chapter • 9th April 2025

Blessed and Brown Sounds: Digital Shorts and Black Opera During the Pandemic

Cannopy Magazine • 9th April 2025

13.18 | Stephan Moccio, "Legends, Myths, and Lavender"

Article • 9th April 2025

To the Queen and Beyond: A Conversation with Teiya Kasahara

Opera Canada • 6th May 2024

Canadian Opera Company | Medea | Review

Opera Canada • 1st May 2024

Canadian Opera Company | Don Pasquale | Review

Boston Lyric Opera • 24th January 2024

Remembering to Forget: Myths of Love and Loss in Eurydice | Blog Essay

Arts Near You: Toronto • 10th May 2023

Canadian Opera Company | Tosca | Review

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Jane Isabelle Forner

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